Jade O'Sullivan

Hoodie was born out of a love for retro Americana and vintage signs but designed with a contemporary fresh twist that makes the font a true attention seeker.

The font is made up of 7 weights, plus 3 fun specials (dots, lines and shade) that create a multitude of uses and options. From logos to packaging and everything in between, Hoodie will be an attention grabber in all types of layouts and placements.

Hoodie has features such as extensive language support, case sensitive characters, ligatures and number options (Denominator, Numerator, Superior and Inferiors), making it a truly versatile font.

Geria is a hand drawn sans serif in four weights. Despite being rough and organic, Geria retains the basic structure and shape of a readable sans serif. The result is a functional typographic tool with a lot of personality.

The family comes in four carefully balanced weights that offer a lot of contrast from the delicate Light to the punchy Heavy weight. Geria is perfect for display use in branding, packaging, editorial design, posters and advertising.

‘Obvia’ appeared as a result of direct observation on typefaces classified as geometric and the plan to explore for the first time width axes Condensed, Narrow (soon), Normal and new Wide and Expanded. The idea behind 'Obvia’s design was to create a distancing from geometrically pure shapes, in this case, square shapes. Then some details were added, such as subtle inktraps, concave endings of the stems and carefully drawn alternate characters, giving a ‘geohumanist’ tone to the font. This first family of ‘Obvia’ has 9 weights ranging from Thin to Black, delivering a strong typographic identity, from the paper to the pixel.

‘Obvia’ appeared as a result of direct observation on typefaces classified as geometric and the plan to explore for the first time width axes Condensed, Narrow (soon), Normal and new Wide and Expanded. The idea behind 'Obvia’s design was to create a distancing from geometrically pure shapes, in this case, square shapes. Then some details were added, such as subtle inktraps, concave endings of the stems and carefully drawn alternate characters, giving a ‘geohumanist’ tone to the font. This first family of ‘Obvia’ has 9 weights ranging from Thin to Black, delivering a strong typographic identity, from the paper to the pixel.

平成明朝体は、ワープロやDTPの普及にともなうフォント需要の高まりに対して供給が遅れていたため、文字フォント開発・普及センターの指揮のもと、製作された、本文用の明朝体です。デザインは、リョービイマジクスが担当。横組み適性を考慮し、視覚的重心が低めになっています。可読性のため、ふところは広めに、また、低解像度出力機での使用を考慮し、直線を多用したシンプルなデザインになっています。