Jade O'Sullivan

Bernyck is a vintage fonts inspired by bold advertisers hand lettering styles, popular in the late 1940s through the early 1950s. It has the same charm as his brother “Cinefile”, but, this time, connected and with more alternates.
The Bernyck family is integrated by Bernyck and Bernyck Extrude to interact together. To this we add a beautiful set of 131 ornaments, Bernyck Ornaments and of course, Bernyck Ornaments Extrude. The Open Type features include a full international character compliment, standard and contextual alternates, swatches, stylistic sets, initial forms, standard and discretionary ligatures. All this makes the text lively and bouncy, without the monotony of obviously repeated letterforms.
A total of 634 glyphs to offer you many more options for your designs!
Bernyck, like all our fonts, was carefully designed, controlled and tested in both aspects: readability and technical aspects.
We take care of the kerning pairs, hinting and the precise programming of the Open Type functions; as well as the final touch of each glyph.
Bernyck adapts well to titles, packages, invitations, greeting cards, magazines and book covers, children’s material, fashion, logos and, posters and wherever you need a fun and sympathetic display font.

Eurocine is an expansive display typeface – a square sans serif that’s perfect for titling, headlines, logotype and branding. This 36-font family is packed with features to make it supremely versatile.

This typeface attempts to capture the mood of movie credits from European Cinema in the 1970s, with a focus on Giallo films in particular. In terms of style, Eurocine sits somewhere between Walter Baum and Konrad Friedrich Bauer’s Folio, and Aldo Novarese’s Eurostile. With Eurocine you get a more versatile typeface by way of its small caps and additional stylistic sets giving you extended caps, extended small caps, and petite caps, as well as upper and lowercase unicase. Creating typographic masterpieces of your own will be so much easier!

Key features:
• 6 Weights in Roman and Oblique
• 3 Widths – Narrow, Regular, Wide
• Extended Caps
• Small Caps
• Extended Small Caps
• Petite Caps
• Unicase
• Old Style Figures
• European Language Support (Latin)
• 1,200 glyphs per font.

Sugar and Spice is a sweet & scrumptious font duo! Designed with short descenders, so there’s less of that awkward white space, these work great for multi-line designs! Both include lots of alternates, the script includes plenty of ligatures, and the hand-sans has small-caps, so you can mix and match to create a custom look!

Inspired by the graphic spirit of old packaging and store signs of Portugal, this font seeks to transmit the warm and sunny sound of Portuguese language in a visual way.
Portuguesa has 3 partners, designed to work nicely together and to complement one with each other.
Portuguesa Script, with friendly and rhythmic personality, great for titles and short text, Portuguesa Caps, with small caps and ligatures that perfectly match (and contrast) with the script version. And Portuguesa Icons, that recalls the legendary blue tiles. This last version was specially designed to mix signs up with delightful combinations for creating patterns, borders, stationary, tableware and all kind of commercial products and projects that needs a memorable strike. The possibilities are numberless.
As a mantra, Portuguesa is always in a positive mood, spreading the “Portuguese art of welcoming people”.

Seja Bem-Vindo!

Whittington is a revival of a congenial ‘modern’ typeface of the mid nineteenth century, unassuming and businesslike with an even colour that reads comfortably over long stretches. It is intended primarily for use in running text.
Whittington provides wide support for west, central, and east European languages that use the roman alphabet. Among its OpenType features are ligatures, small caps, several sets of numerals, contextual alternates, intelligent implementation of long ‘s’, and fractions. For more detail, please see the pdf available in the Gallery.