BAJT Rounded is a futuristic all-caps display font. It was created as a rounded version of the BAJT Font.
Use for awesome display, illustrations, posters, logos, t-shirts, titles, and much more..
The font includes multilingual support (Latin-1), uppercase letters, numerals and a large range of punctuation.
Arabetics Detroit is a monoshape font family with a fixed single shape per each Arabic Unicode character. This font family supports all Arabetic scripts covered by Unicode Standards 6.1, and the latest Arabic Supplement and Extended-A Unicode blocks, including support for Quranic texts. It includes three weights: regular, bold, and light, each of which has normal and left-slanted (Italic) versions. The design of this font family follows the Arabetics Mutamathil style design principles utilizing varying x-heights and no glyph substitutions. The Mutamathil type style was introduced by the designer more than 15 years ago. The Arabetics Detroit font family includes all required Lam-Alif ligatures in addition to all soft vowel diacritics (harakat), which are selectively positioned with most of them appearing on similar high and low levels—top left corner—to clearly distinguish them from the letters. The Tatweel or Kashida lengthening character is a zero-width glyph.
DaBronx is an downright nifty condensed grotesque font family. It comes with 12 righteous weights. DaBronx is ready for a wide range of uses. It would look great scrolling across a screen and would give extra presence to titles and headlines in a number of different applications.
DaBronx is like a finely tailored suit for your content, upright, spiffy and slick. It has been painstakingly tweaked to perfection in the Good Gravy lab to make it so easy on the eyes.
It looks stellar in an ad campaign, logo design, apparel, or anything else that requires a sleek modern look.
DaBronx would pair well with Koozie Script, another one-of-a-kind Good Gravy font!
The act in a staring contest is two people maintain eye contact and the one who blinks first or breaks eye contact loses..
Did you know that there is a world record in not blinking? Last time I checked, the record was about 41 minutes - maybe someone took that record since I checked!? Anyway, you can stare as much as you like on this font, it will only get better, the longer you stare! Ha ha, maybe not, but it is easy for the eye, legible and playful at the same time. Comes to you in both regular and “brush” versions
The Pagnol typeface has been designed with a principle developed by A. M. Cassandre in 1937, when the great French designer created the Peignot typeface following paleographic studies on the evolution of letterforms.
Researches in the history of writing have proved that the lowercase “a” is at its origin nothing but the “A” shape transformed through centuries by scribes until the invention of printing. A large number of lowercases meanwhile kept their original shapes. If the scribes’ hand didn’t find the necessity to simplify them, it is only because these letters could be easily written.
Integrating the classical shapes of capitals to the lowercases has already been used, keeping the lowercases which are only a deformation of capitals. Nevertheless, the respect of readability imposes to keep ascendants and descendants from traditional lowercases which serve as optical focus points in a text and make reading easier.
The particularity of Pagnol is to use rounded shapes on top and bottom of pointed capital letters to make them fit with corresponding lowercases (Aa, Mm, Nn, Vv, Ww, Zz). Lowercases proportions are wide, to be in tune with classic lowercase shapes in order to optimize readability.
Five weights in roman and italic have been designed to offer a wide palette of typographic possibilities in all sizes and all paper and screen supports.