Jade O'Sullivan

Halvar Stencil, an unbreakable industrial typeface Halvar Stencil expands on the Halvar universe by building on its industrial attitude: this German-engineered Schablonenschrift is a typeface for construction sites, power stations, data plates and anything that demands visual impact. Cutting stencils into the letters of Halvar reveals that the typeface is an engineer. With letters parted into circles and rectangles, Halvar Stencil is a practical typeface whose raw character is stabilised with consistency and solid workmanship. With bold weights well-suited to immense and brute uses and light weights that are airy and chic, it has flexibility to match its scale. Unusual amongst stencil typefaces for being constructed for complex and international operations, Halvar Stencil’s multi-script design covers Greek, Latin and Cyrillic, allowing cross market branding. Naturally, a system this comprehensive also comes with tabular figures, superscripts, localised alternates and many other useful OpenType features. Complementing all this, Halvar’s multi-plexed functionality means that designers can lighten and darken text in complex settings without worrying about reflowing text or distorted interfaces. Like Halvar, Halvar Stencil has an absolutely consistent character width across all its weights. Subdivided into an extended Breitschrift with a bold physique, a moderate Mittelschrift and a condensed Engschrift, each stencil subfamily has nine styles ranging from lightweight Hairline to massive Black weights. United in the Halvar Stencil Collection, these three families cover an exceptional range. Please, max the Gap! Havar Stencil is not only available in three widths, it’s shipped with three sizes of stencilling. From the tight MinGap to the loose Maxgap, this ensures that whether Halvar Stencil is applied to a shipping container or the plaque of a hard carry case, it has the right amount of stencilling for the job.

Inspired by Beauville Script, Trauville is a handmade, modern, joyful and elegant pen font with a vintage touch. Its informal appearance, the bouncy baseline, the round forms and bumpy stems, the good connection between the letters and the large number of ligatures that create more authentic and varied connections between the letters, refer to the fluent handwriting.

With its 830 glyphs, the Trauville font is equipped with contextual and stylistic alternatives, many stylistic alternatives, swashes, initial forms and ligatures. This font contain a Central European language support to adapt to your design.

Trauville works perfectly on greeting cards, invitations, weddings, posters, magazines, fashion world, brands and logos, packaging, etc. He is friendly and kind, fresh and fun to work with.

Juxta is a unique experimental and futuristic script. It was born from the idea to combine two antipodes: programming fonts aesthetics and handwritten script. Juxta has witty and jagged character combined with a perfect grid structure and certain decorative elements, such as cross out letters, that gives it the spirit of Nordic minimalistic design. Juxta script is a part of Juxta superfamily, united by the same aesthetics, which currently also includes Juxta sans. Juxta script is available in 7 weights, including Thin, Light, Regular, Medium, SemiBold, Bold, and Black. It is a potential leitmotif of graphic design projects that need a creative breakthrough, including logos, labels, branding, identity, website design, album art, posters, advertising. Juxta offers standard ligatures, contextual and stylistic alternates. It extends multilingual support to Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Pan African Latin, Afrikaans, and Basic Cyrillic for exceptionally far-reaching global accessibility.

Komentator is a monoline vintage script typeface which is created based on manual hand lettering with many features such as, stylistic set alternate, swashes.

Santhana is a font collection that contains more of alternate and some Ornament. The collection of fonts that are designed to complement each other in their use. Santhana is perfect for logo design, t-shirts, flyers, apparel, packaging, advertising, Wedding Invitation etc. This typeface contain of Uppercase, Lowercase, Alternate, Swash, Number, Symbol, Punctuation, Ligature etc. Also support multilingual and already PUA encoded.