Jade O'Sullivan

Mahendra Script is a new fresh and modern font in handmade calligraphy, with decorative characters and dancing lineage! So wonderful on invitations, greeting cards, branding material, business cards, quotes, posters, and more.

If you do not have programs that support OpenType features like Adobe Illustrator and CorelDraw X Versions, you can access all alternates using Font Book (Mac) or Character Map (Windows).

If you have any questions, please feel free to contact me via email.

Silver Lovely is a script that is both narrow and modern. It is slender, feminine and classy, while still maintaining a friendly feel. Silver Lovely is versatile and will work perfectly for fashion, e-commerce brands, trend blogs, wedding boutiques or any business that wants to appear upscale and chic. With its many different stylistic characters, Silver Lovely is perfect for creating original and functional designs. It has extensive language support and tons of ligatures, alternates, stylistic sets that add visual interest to every letter. The overall feel of the font is elegant, sophisticated with a touch of informal and it is ideal if you want to convey a sense of class and style.

Thanks so much for looking.

Inspired by old engraving and tombstones in the Synagogue in the Jewish quarter in Krakow. This font contains lots of ligatures (well supported by Adobe Apps).

Rutter is a handwritten brush font bursting with energy. It features extra attention to quick strokes and sharp details. To stay up to date for my latest job, follow me and let’s be friends because there will be many promos.

Begum Sans is a high-contrast design. Its letterforms feature horizontal strokes that flair outwards and look a bit like wedges; this is particularly prominent in the typeface’s capital letters. The feature has a long tradition in lettering, which even predates typography: similar wedge-shaped horizontal strokes were prominent features on Florentine inscriptional lettering during the Renaissance. Even though Begum Sans is a display face, its use isn’t limited to headlines. The typeface’s proportions offer possibilities for many kinds of shorter-length texts, i.e., call-outs, packaging design and the multi-line article introductions that are common in print and on screen. Pair Begum Sans with its matching display serif face Begum. Both Begum and Begum Sans were designed in India by Manushi Parikh.